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CBL CLLE-CBL110MM 110mm Lens System - Grey | 
 enlarge | Brand: CBL Lens Co.
Category: Photography
List Price: $149.00
Buy New: $129.95
You Save: $19.05 (13%)
New (5) from $129.95
Rating:  1 reviews
Color: Grey
Media: Electronics
Shipping Weight (lbs): 1.2
Dimensions (in): 6 x 6 x 2
MPN: CLLE-CBL110MM
Model: CLLE-CBL110MM
UPC: 880920961106
EAN: 8809209611060
ASIN: B000T92KHI
Availability: Usually ships in 1-2 business days
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| Features:
| • | Designed using a specially fomulated grooved board over a reflector lens, covered with a condenser, to give accurate color balance in mixed lighting situations | | • | Carefully selected tones of white and gray do not fade | | • | Waterproof material is rugged, and capable of being carried anywhere |
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| Editorial Reviews:
Product Description
For use with: Professional Video Cameras / Camcorders Digital SLR / ENG / Compact Cameras Digital Back Mount View Cameras Digital Back Mount SLR Cameras The CBL Color Balance System is extremely easy to use and has two sides to the disc for a variety of situations. The White Side is designed using a specially fomulated grooved board over a reflector lens, covered with a condenser, to give accurate color balance in mixed lighting situations, low light, or on cloudy and overcast days. The Grey Reverse Side is formulated from a secret combination of thirteen different materials which have been tested to produce the most consistent color balance and is best suited to studio flash photography and direct sunlight. The CBL Lens system is not only effective but is also extremely simple with you being able to set the white balance while leaving the camera in auto-focus mode and without having to remove the lens hood. The CBL Lens materials are also waterproof and the color characteristics will not change over time, giving the most consistent and accurate results.
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| Customer Reviews:
Mixed light wonder October 28, 2008
Barry Morrill (Torrance, Ca. USA)
I know there are so many light balancing tools out there that it seems that you can't go to a camera show without seeing one per aisle. But I really fell for this when I saw it at WPPI. Basically it is an incident meter. Hold it at subject position so it reflects to the camera the light falling on the subject. Shoot a target shot and capture it. The key over expodisc is that it measures the light on the subject NOT the light on the camera position. Also it is the only one that can give accurate readings in mixed light. I own it and shot with it. I also have seen Hanson Fong use it and really respect Hanson's chioces.
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